Artist's Books / Special Editions
Almond, Darren: All Things Pass
Almond, Darren / Blechen, Carl: Landscapes
Brown, Glenn: And Thus We Existed
Butzer, André: Exhibitions Galerie Max Hetzler 2003–2022
Chinese Painting from No Name to Abstraction: Collection Ralf Laier
Choi, Cody: Mr. Hard Mix Master. Noblesse Hybridige
Demester, Jérémy: Fire Walk With Me
Dienst, Rolf-Gunter: Frühe Bilder und Gouachen
Dupuy-Spencer, Celeste: Fire But the Clouds Never Hung So Low Before
Ecker, Bogomir: You’re NeverAlone
Elmgreen and Dragset: After Dark
Förg, Günther: Forty Drawings 1993
Förg, Günther: Works from the Friedrichs Collection
Galerie Max Hetzler: Remember Everything
Galerie Max Hetzler: 1994–2003
Gréaud, Loris: Ladi Rogeurs Sir Loudrage Glorius Read
Hatoum, Mona (Kunstmuseum
St. Gallen)
Eric Hattan Works. Werke Œuvres 1979–2015
Hattan, Eric: Niemand ist mehr da
Herrera, Arturo: Boy and Dwarf
Hilliard, John: Accident and Design
Horn, Rebecca / Hayden Chisholm: Music for Rebecca Horn's installations
Horn, Rebecca: 10 Werke / 20 Postkarten – 10 Works / 20 Postcards
Huang Rui: Actual Space, Virtual Space
Kowski, Uwe: Paintings and Watercolors
Mikhailov, Boris: Temptation of Life
Mosebach, Martin / Rebecca Horn: Das Lamm (The Lamb)
Neto, Ernesto: From Sebastian to Olivia
Oehlen, Albert: Mirror Paintings
Oehlen, Albert: Spiegelbilder. Mirror Paintings 1982–1990
Oehlen, Albert: unverständliche braune Bilder
Oehlen, Pendleton, Pope.L, Sillman
Oehlen, Albert | Schnabel, Julian
Phillips, Richard: Early Works on Paper
Riley, Bridget: Circles and Discs
Riley, Bridget: Paintings and Related Works 1983–2010
Riley, Bridget: The Stripe Paintings
Riley, Bridget: Paintings 1984–2020
Roth, Dieter & Iannone, Dorothy
True Stories: A Show Related to an Era – The Eighties
Wang, Jiajia: Elegant, Circular, Timeless
Wool, Christopher: Westtexaspsychosculpture
Zeng Fanzhi: Old and New. Paintings 1988–2023
Zhang Wei / Wang Luyan: A Conversation with Jia Wei
Arturo Herrera: Series English |
This book collects in their entirety 17 series of collages that Arturo Herrera made in 2011 and 2012. In the strong narrative thrust they develop page by page, interspersed with two essays and an artist conversation that offer the necessary reflection, this book like no other allows you to delve into Herrera’s interventions with a scissors, glue, and paint brush. “The aim of collage is to juxtapose a variety of fragments,” he explains, “that have their own rich references to create a new image.” Since the images are reproduced sheet by sheet, varying between 2 and 28 elements, you can read them as they thematically evolve. Some sheets are like a dense jumble of torn-up motifs, some have pasted-over color fields in almost musical composition, and often the material used will still permeate the work like a theme: an old textbook of techniques for real-life self defense, or a child’s exercise book whose marginal drawings hint at a Leonardo in the making, amplified by Herrera’s off-topic additions. On the way, we not just become engaged with the story each series seems to revolve around, but also with collage as a way of seeing things in a new light. As the artist himself puts it here: “Collage is our portrait of life rearranged and reordered.”
... In collaboration with Corbett vs. Dempsey, Chicago, Thomas Dane Gallery, London, and Sikkema Jenkins & Co., New York |