Artist's Books / Special Editions





Almond, Darren: All Things Pass

Almond, Darren: Terminus

Almond, Darren / Blechen, Carl: Landscapes

Andreani, Giulia

Appel, Karel

Arnolds, Thomas

Bonnet, Louise

Brown, Glenn

Brown, Glenn: And Thus We Existed

Butzer, André

Butzer, André: Exhibitions Galerie Max Hetzler 2003–2022

Chinese Painting from No Name to Abstraction: Collection Ralf Laier

Choi, Cody: Mr. Hard Mix Master. Noblesse Hybridige

Demester, Jeremy

Demester, Jérémy: Fire Walk With Me

Dienst, Rolf-Gunter: Frühe Bilder und Gouachen

Dupuy-Spencer, Celeste: Fire But the Clouds Never Hung So Low Before

Ecker, Bogomir: You’re NeverAlone

Elmgreen and Dragset: After Dark

Elrod, Jeff

Elrod, Jeff: ESP

Fischer, Urs

Förg, Günther

Förg, Günther: Forty Drawings 1993

Förg, Günther: Works from the Friedrichs Collection

Galerie Max Hetzler: Remember Everything

Galerie Max Hetzler: 1994–2003

Gréaud, Loris: Ladi Rogeurs  Sir Loudrage  Glorius Read

Grosse, Katharina: Spectrum without Traces

Hains, Raymond

Hains, Raymond: Venice

Hatoum, Mona (Kunstmuseum
St. Gallen)

Eric Hattan Works. Werke Œuvres 1979–2015

Hattan, Eric: Niemand ist mehr da

Herrera, Arturo: Series

Herrera, Arturo: Boy and Dwarf

Hilliard, John: Accident and Design

Holyhead, Robert

Horn, Rebecca / Hayden Chisholm: Music for Rebecca Horn's installations

Horn, Rebecca: 10 Werke / 20 Postkarten – 10 Works / 20 Postcards

Huang Rui: Actual Space, Virtual Space

Josephsohn, Hans

Kahrs, Johannes: Down ’n out

Koons, Jeff

Kowski, Uwe: Paintings and Watercolors

La mia ceramica

Larner, Liz

Li Nu: Peace Piece

Mahn, Inge


Mikhailov, Boris: Temptation of Life

Mosebach, Martin / Rebecca Horn: Das Lamm (The Lamb)

Neto, Ernesto: From Sebastian to Olivia

Niemann, Christoph

Oehlen, Albert: Luckenwalde

Oehlen, Albert: Mirror Paintings

Oehlen, Albert: Spiegelbilder. Mirror Paintings 1982–1990

Oehlen, Albert: Interieurs

Oehlen, Albert: unverständliche braune Bilder

Oehlen, Pendleton, Pope.L, Sillman

Oehlen, Albert | Schnabel, Julian

Phillips, Richard: Early Works on Paper

Prince, Richard: Super Group

Reyle, Anselm: After Forever

Riley, Bridget

Riley, Bridget: Paintings and Related Works 1983–2010

Riley, Bridget: The Stripe Paintings

Riley, Bridget: Paintings 1984–2020

Roth, Dieter & Iannone, Dorothy

True Stories: A Show Related to an Era – The Eighties

Tunga: Laminated Souls

Tursic, Ida & Mille, Wilfried

de Waal, Edmund: Irrkunst

Wang, Jiajia: Elegant, Circular, Timeless

Warren, Rebecca

Wool, Christopher: Westtexaspsychosculpture

Wool, Christopher: Road

Wool, Christopher: Yard

Wool, Christopher: Swamp

Wool, Christopher: Bad Rabbit

Zhang Wei (2017)

Zhang Wei (2019)

Zhang Wei / Wang Luyan: A Conversation with Jia Wei


Out of print


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Eric Hattan: Niemand ist mehr da /
Vous êtes chez moi

Text Maja Naef and Ralph Ubl

German / English / French
Hardcover with dust jacket
and a DVD
14.5 x 18 cm
128 pages
91 b/w-illustrations
DVD: 15 minutes, color, sound
45.00 Euro


For his exhibition Vous êtes chez moi! / Sie sind bei mir! in the FRAC Alsace in Sélestat in 2005, Eric Hattan transformed the space into a ghost town. Crates from the collection’s art storeroom served with or without contents as building material for a deserted settlement. Nobody is there anymore; only the artist’s videos show traces of human existence in this parcours—scarecrows, a plastic bag flapping in the wind, an abandoned sheep that drags its own pelt behind it.

Maja Naef and Ralph Ubl write in their essay, “Hattan’s topography includes marginal and transitional zones: condemned buildings, empty lots, ruins, abandoned and forgotten objects, the remnants of the world.” In Vous êtes chez moi! Eric Hattan turns his attention to what has been given up, left behind, to remains not (yet) disposed of. His attention is constantly on the move, constantly roaming, and these remnants are granted one last remnant of attention that acknowledges their fleetingness.

Eric Hattan: Niemand ist mehr da continues the exposition, transports it from it’s own space into the outside world. Hattan roams through forgotten places and reveals the neighborly relationships between inside and outside, between the hidden and the tangible, between package and picture, crate and art. In the video, Hattan uses his sense of topography to look at his exhibition. Like the crates in the exhibition, this book becomes a container, the DVD becomes part of the installation, the exhibition space an abandoned place, a ghost town. Art is a relic, the people have moved on.