Artist's Books / Special Editions
Almond, Darren: All Things Pass
Almond, Darren / Blechen, Carl: Landscapes
Brown, Glenn: And Thus We Existed
Butzer, André: Exhibitions Galerie Max Hetzler 2003–2022
Chinese Painting from No Name to Abstraction: Collection Ralf Laier
Choi, Cody: Mr. Hard Mix Master. Noblesse Hybridige
Demester, Jérémy: Fire Walk With Me
Dienst, Rolf-Gunter: Frühe Bilder und Gouachen
Dupuy-Spencer, Celeste: Fire But the Clouds Never Hung So Low Before
Ecker, Bogomir: You’re NeverAlone
Elmgreen and Dragset: After Dark
Förg, Günther: Forty Drawings 1993
Förg, Günther: Works from the Friedrichs Collection
Galerie Max Hetzler: Remember Everything
Galerie Max Hetzler: 1994–2003
Gréaud, Loris: Ladi Rogeurs Sir Loudrage Glorius Read
Hatoum, Mona (Kunstmuseum
St. Gallen)
Eric Hattan Works. Werke Œuvres 1979–2015
Hattan, Eric: Niemand ist mehr da
Herrera, Arturo: Boy and Dwarf
Hilliard, John: Accident and Design
Horn, Rebecca / Hayden Chisholm: Music for Rebecca Horn's installations
Horn, Rebecca: 10 Werke / 20 Postkarten – 10 Works / 20 Postcards
Huang Rui: Actual Space, Virtual Space
Kowski, Uwe: Paintings and Watercolors
Mikhailov, Boris: Temptation of Life
Mosebach, Martin / Rebecca Horn: Das Lamm (The Lamb)
Neto, Ernesto: From Sebastian to Olivia
Oehlen, Albert: Mirror Paintings
Oehlen, Albert: Spiegelbilder. Mirror Paintings 1982–1990
Oehlen, Albert: unverständliche braune Bilder
Oehlen, Pendleton, Pope.L, Sillman
Oehlen, Albert | Schnabel, Julian
Phillips, Richard: Early Works on Paper
Riley, Bridget: Circles and Discs
Riley, Bridget: Paintings and Related Works 1983–2010
Riley, Bridget: The Stripe Paintings
Riley, Bridget: Paintings 1984–2020
Roth, Dieter & Iannone, Dorothy
True Stories: A Show Related to an Era – The Eighties
Wang, Jiajia: Elegant, Circular, Timeless
Wool, Christopher: Westtexaspsychosculpture
Zeng Fanzhi: Old and New. Paintings 1988–2023
Zhang Wei / Wang Luyan: A Conversation with Jia Wei
Arturo Herrera: Boy and Dwarf English |
A young boy and a dwarf, they give this book its title, but at first glance it is hard to make out anything like them in Arturo Herrera’s collages. Only a closer look will spot some telling details in the work’s rich textures: the bellows of an accordion, a dwarf’s cap. Are these pictures representational or abstract? Arturo Herrera says: “The challenge is, how can an image so recognizable, like a dwarf, have another meaning that I impose to it? Is it possible? Can I make something so clear ambiguous? Can I uproot it?” He can: the ambiguity of his collages slows down the gaze, the figurative and the abstract cease to be simple opposites. And the repeated motif gives the eye free rein to study the method and virtuosity of Herrera’s take on abstraction. The latest series of 75 large-format collages on paper in Boy and Dwarf are based on two comic figures, an old dwarf and a young boy who plays accordion. The front views come from a children’s coloring book, then Herrera commissioned an illustrator to draw back views of the two figures. They are blown up onto the paper, each forming the last layer of a complex collage of paper scraps, splashes of paint, and newsprint. The original contours merge to such an extent with the background that the figures are barely discernible in the vivid abstraction of the collage surface. The initial impact is a blur, but the eye is quickly able to again make out a boy with large eyes, or a dwarf. The projection game can begin.
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