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Almond, Darren: All Things Pass

Almond, Darren: Terminus

Arnolds, Thomas

Brown, Glenn: Dessins

Brown, Glenn

Butzer, André

Demester, Jérémy: Fire Walk With Me

Dienst, Rolf-Gunter: Frühe Bilder und Gouachen

Ecker, Bogomir: You’re Never Alone

Förg, Günther

Galerie Max Hetzler: Remember Everything

Galerie Max Hetzler: 1994–2003

Hains, Raymond

Hatoum, Mona (Kunstmuseum
St. Gallen)

Eric Hattan Works. Werke Œuvres 1979–2015

Hattan, Eric: Niemand ist mehr da

Herrera, Arturo: Series

Herrera, Arturo: Boy and Dwarf

Hilliard, John: Accident and Design

Holyhead, Robert

Horn, Rebecca / Hayden Chisholm: Music for Rebecca Horn's installations

Kahrs, Johannes: Down ’n out

Koons, Jeff

Kowski, Uwe: Paintings and Watercolors

La mia ceramica

Larner, Liz

Mahn, Inge

Marepe

Mosebach, Martin / Rebecca Horn: Das Lamm (The Lamb)

Neto, Ernesto: From Sebastian to Olivia

Niemann, Christoph

Oehlen, Albert (Paintings 2014)

Oehlen, Albert: Interieurs

Oehlen, Albert: Mirror Paintings

Oehlen, Albert: Luckenwalde

Oehlen, Albert | Schnabel, Julian

Phillips, Richard: Early Works on Paper

Prince, Richard: Super Group

Riley, Bridget: Measure for Measure. New Disc Paintings

Riley, Bridget: The Stripe Paintings 1961–2012

Riley, Bridget: Paintings and Related Works 1983–2010

Sammlung im Wandel: Die Sammlung Rudolf und Ute Scharpff

Smith, Josh: Abstraction

Tunga: Laminated Souls

de Waal, Edmund: Irrkunst

Warren, Rebecca

Wool, Christopher (2017)

Wool, Christopher: Road

Wool, Christopher: Westtexaspsychosculpture

Wool, Christopher: Yard

Zhang Wei

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Collector's Editions

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Martin Mosebach / Rebecca Horn:
Das Lamm
(The Lamb)


Softcover with dust jacket in slipcase
21.4 x 31.2 cm
200 pages with 24 color illustrations on inserted single sheets
350 signed and numbered copies
3-935567-30-5
240.00 Euro


Collector’s Edition
24 copies with an original print by
Rebecca Horn (nos. 4–27)
30 x 21 cm (w x h)
1000.00 Euro

 

Available prints

 

Martin Mosebach writes his books by hand. Between 1995 and 1997, he produced 172 very closely written pages for a novel provisionally entitled Das Lamm (The Lamb). The 575-page book was published in 2000 by Aufbau Verlag in Berlin as “Eine lange Nacht” (A Long Night). The handwriting of the original manuscript is minuscule, and deciphering the text is strenuous, useful working material for an author trying to keep a firm grip on his concept.


When Rebecca Horn saw the manuscript, she was enthusiastic about its aesthetic qualities and artistic strength. Every page is a picture that reveals the writer’s stream of thought and shows his concentration, precision, and artistic vision. She decided to make an artwork out of this “objet trouvé”. In 2002, she staged the story of the long night for a photo shooting on location at the original sites in Frankfurt/Main. Twenty-four photo-paintings are based on this material. The photographs’ distinctive multiple-exposure technique allows the story’s protagonist to fuse with the action’s settings. Overpainted by Rebecca Horn afterwards, the images connect the real world with the world of ideas. They observe and commentate. Fields and waves of energy are inscribed on the pictures while mythical creatures carry us into a fanciful and poetic transitional world.


The artists’ book Das Lamm draws all this material together: Martin Mosebach’s manuscripts are reproduced as facsimiles on 200 pages. Rebecca Horn’s photo-paintings, opulently printed on art paper, are inserted loose between the pages like bookmarks or notes. They are embedded in the author’s ideas and produce a vast new painting.

 

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www.rebecca-horn.com