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Almond, Darren: All Things Pass

Almond, Darren: Terminus

Arnolds, Thomas

Brown, Glenn: Dessins

Brown, Glenn

Butzer, André

Dienst, Rolf-Gunter: Frühe Bilder und Gouachen

Ecker, Bogomir: You’re Never Alone

Förg, Günther

Förg, Günther: Forty Drawings 1993

Galerie Max Hetzler: Remember Everything

Galerie Max Hetzler: 1994–2003

Hains, Raymond

Hatoum, Mona (Kunstmuseum
St. Gallen)

Eric Hattan Works. Werke Œuvres 1979–2015

Hattan, Eric: Niemand ist mehr da

Herrera, Arturo: Series

Herrera, Arturo: Boy and Dwarf

Hilliard, John: Accident and Design

Holyhead, Robert

Horn, Rebecca / Hayden Chisholm: Music for Rebecca Horn's installations

Kahrs, Johannes: Down ’n out

Koons, Jeff

Kowski, Uwe: Paintings and Watercolors

La mia ceramica

Larner, Liz

Mahn, Inge

Marepe

Mosebach, Martin / Rebecca Horn: Das Lamm (The Lamb)

Neto, Ernesto: From Sebastian to Olivia

Niemann, Christoph

Oehlen, Albert (Paintings 2014)

Oehlen, Albert: Interieurs

Oehlen, Albert: Mirror Paintings

Oehlen, Albert: Luckenwalde

Phillips, Richard: Early Works on Paper

Prince, Richard: Super Group

Riley, Bridget: The Stripe Paintings 1961–2012

Riley, Bridget: Paintings and Related Works 1983–2010

Sammlung im Wandel: Die Sammlung Rudolf und Ute Scharpff

Smith, Josh: Abstraction

Tunga: Laminated Souls

de Waal, Edmund: Irrkunst

Warren, Rebecca

Wool, Christopher (2017)

Wool, Christopher: Road

Wool, Christopher: Westtexaspsychosculpture

Zhang Wei

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Günther Förg:
Forty Drawings 1993

Edition of 300


Hardcover
29.7 x 42 cm
88 pages
40 color illustrations
978-3-947127-05-4
120.00 Euro

 

Leaf through the book

 

In these forty works on paper made in 1993, we can observe how Günther Förg gradually constructs his artistic thoughts. The compositions focus on clearly formulated ideas, while in their lively and spontaneous execution the artist’s hand comes to the fore—not by coincidence the hand is also a recurring motif in these works. Some of the pages feature crosshatchings, squares, and vertical slashes opening up the picture ground, looking like possible preparatory sketches for later paintings. Other pages are more casual, random thoughts in which figurative elements can be discerned: heads, globes, knees, mountains, and again hands. This book, published in an edition limited to 300 copies, introduces us to these drawings compiled as a series by Förg and reproduced in their original format—allowing us to meet an artist who uses the tensions between abstraction and figuration, geometry and spontaneity with a virtuoso directness.

 

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Stiftung zur Förderung zeitgenössischer Kunst in Weidingen,
distributed by Holzwarth Publications